Books on spirituality by Alison Leonard

Book cover, Living in Godless Times

Living in Godless Times - tales of spiritual travellers

Open a newspaper at random and you will read news of God's funeral.

But spirituality is everywhere. What is spirituality? How can it be lived? Institutional religion used to provide heroes to admire and stories to follow. If we choose to be experimental on our spiritual path, who will be our companions on the way?

Alison Leonard found sixteen people whose lives have been utterly different but who each see their journey as a spiritual process. They have experienced pain and evil and suffering, wrestled with their relationship to a spiritual community, found a quiet place within their souls, and rediscovered the sacredness of life. Adventurous and confused and despairing and courageous by turns, they ask awkward questions and step outside definitions. They have found some kind of truth for themselves, and can inspire the reader to find their own kind of truth.

'Odyssey of discovery for 21st century soul' - Liverpool Daily Post
'Engaging and valuable... Unexpected and enlightening' - The Friend
'Very much rooted in practical day-to-day life... inspiring' - Women in Publishing
'A rare glimpse into the search for Truth and The Meaning of Life in contemporary times' - PanGaia (California, USA)

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Each chapter consists of an interview with one of the following:

Jocelyn Bell Burnell

 

Quaker astrophysicist

Raficq Abdulla

 

Muslim poet

David Banks

 

ex-Christian actor and writer

Benjamin Zephaniah

 

performance poet

Dayachitta

 

Buddhist acupuncurist

Adam Curle

 

peace mediator

Naomi Gryn

 

Jewish film-maker

Marian Partington

 

homeopath who had to face atrocity

June Raymond

 

Catholic nun and healer

Brian Thorne

 

Anglican professor of counselling

Mehr Fardoonji

 

organic gardener and yoga teacher

Anne Gray

 

anthroposophist teacher

Rose Hacker

 

socialist to sex educator to sculptor

Eric Maddern

 

storyteller inspired by the Aborigines

Kathy Jones

 

goddess-worshipping playwright

Gordon MacLellan

 

environmental educator and shaman

Published by Floris Books 2001, price £9.99, ISBN 0-86315-341-0
For more Floris books see www.florisbooks.co.uk

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Book cover, Telling Our Stories

Telling Our Stories - wrestling with a fresh language for the spiritual journey

Alison Leonard looks at her own life, and at the lives of ordinary and extraordinary people, real and fictional, alive and dead, who have provided her with inspiration, infuriated her, or dogged her steps. She strives to understand where the turning points are, the spiritual discoveries, the moments of despair and exaltation, the abandonment and the hope. Telling Our Stories will support the reader's own journey of discovery as it teaches us to own our spirituality - to claim it, reclaim it, value it and honour it.

One of the Wounded Pilgrim series, inspired by the belief that spiritual growth demands an openness to experience and a willingness to accept the challenge of self-knowledge despite the suffering, confusion and agony of spirit this can involve.

'This is a book about language, and yet it may turn you upside down because it does not flinch from entering some of those areas of experience where customarily only poets, novelists and mystics dare to tread.' Brian Thorne, series editor, in his introduction

'Alison Leonard's book dances the light fantastic.... She writes with a delightful spontaneity and frankness.' Lavinia Byrne, Church Times

Published by Darton Longman & Todd, 1995, ISBN 0-232-52097-6. Website: www.darton-longman-todd.co.uk

This is now out of print, but available direct from Alison. For more details send her an email at the address on the Home page.

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photo of spirals at Newgrange

Articles

Alison's most recent publication in this field is Journey Towards The Goddess, which tells the story of her evolution as a spiritual seeker oriented towards goddess imagery and stories. It was published in Feminist Theology in September 2003.

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photo of crone goddess model

Journal and anthology extracts

A goddess-loving Quaker ponders her dilemmas

I was brought up firmly in the Christian tradition: Church of England at home, Methodist for nine years at a girls’ boarding school. So I attended the colourful ritualistic Anglican services at the parish church during my time at home, while at school there were daily ‘assemblies’ with lusty hymn-singing and a strong Biblical basis for weekly sermons and Scripture lessons. For some of my fellow pupils this was fine, because the Judaeo-Christian tradition fed them spiritually. For me, it was like being a vegetarian and having a feast of meat put in front of me. I was told ‘There’s food,’ and it was food. But it wasn’t the right food for me. I didn’t know why it wasn’t right, and I kept on trying to make it right.

Looking back, it’s clear that my problem was not with Jesus, who I still find an inspiration, but with the structure of the church itself. It demanded obeisance to the invisible God, which generally translated into obedience to the all-too-visible male clergy. For a girl becoming a woman there were few possible rôles beyond silent service. To use the term which emerged in the 1960s, the problem was patriarchy. That concept came a decade too late for me. As I grew from a shy child to a gawky teenager, I thought it was me who was wrong.

I was especially wrong when it came to the sacrament of Holy Communion. Week by week when I was among Anglicans, termly when I was a Methodist, I went up to the Lord’s Table hoping to receive the promised essence of the divine. Week by week I returned to my pew having received nothing at all….

Then, when I was in my 20s, I came across the Quaker meeting for worship. I fell into its depths immediately. Relief swept through me. No theology, no sacraments, no words. Just an inward journey supported by an outward community, with accompanying social and political witness. Bliss. For me as a feminist there was a special delight in the Quaker testimony to equality, because I found that in the Quaker world women and men work together according their gifts.

It’s 38 years since I went to my first Quaker Meeting for Worship. For most of that time I’ve been part of a large and thriving Meeting. I’ve looked after its children (as well as my own) and helped to nurture its spiritual life as an elder. I’ve joined in national Quaker affairs, mainly on the literature and publications side. I’ve only occasionally acted as clerk, which is odd, because one of my particular passions is the Quaker business method; in fact one of the reasons I’m still a Quaker is that we take the spiritual nature of decision-making seriously. The Quaker business method involves the whole community both in day-to-day practicalities and in big spiritual and moral challenges, and it makes provision for change and growth. Of course it doesn’t always work that way, because we’re fallible human beings, and we Quakers fall into bad power struggles just as we fall into empty phases of worship. But the ideal is still there to return to.

So what happened to my search for union with the divine? Did I find it in the quiet of Quaker Meeting for Worship?

 I did. Into its depths I could bring my passion and my despair, my many seekings and my few findings. There they would join the seekings and findings of my co-worshippers, to mingle like ingredients in the divine cooking pot as, individually and together, we moved inward and emerged changed. In Thomas Kelly’s words (Quaker Faith & Practice 2.38), we ‘found our separate lives were all one life, within whom we live and move and have our being’… (PE)

[But] a space lay inside me like an organ of my spiritual body, empty and waiting to be filled. As a spiritual person I had found my spiritual community among the Quakers, but as a worshipful person I had nothing to worship…

I marched to Greenham Common to protest against the nuclear missiles there and found myself, a feminist and a pacifist, among a group of women fighting. How could it not be clear what I was longing for? But you can’t long for what you don’t know. You can only feel the longing, and wait. There seemed no alternative to the waiting - waiting, as I wrote, in the void, even though in Quaker Meeting I was waiting in the light.

My Quaker life was rich, busy and thoughtful. Quakers have no creed or liturgy; they worship in silence, in which anyone may share the spiritual inspiration they have received. This worship nourished me. Nationally I was active in the Quaker publications scene, and wrote and edited in the Quaker context. I value the social witness and the pacifist stance I find among Quakers, and have taken my part to a certain extent in both, but for me it is the inward journey that is always primary…

I was at Woodbrooke Quaker Study Centre in Birmingham and met a young woman who took me on the next stage of my journey. One free afternoon we walked round the lake in the grounds and sat down on a bench to watch the quiet ducks and rampant Canada geese. ‘Would you like me to recite a Goddess prayer?’ she asked. I said yes. She fumbled a little to remember the exact words, and then gave out a long prayer of great beauty and resonance. I remember little of the detail now. I was simply moved to my bones. My clearest thought was, ‘Why have I been deprived of this for so long?’

A couple of months later, Rose Flint and I took her beautiful lurcher dog on a windy day to one of the sacred sites on Ynys Môn, the island of Anglesey. She told me about the first Goddess Conference in Glastonbury a week or two before, where she had been poet-in-residence. I expect she described the invocation rituals and the dancing and the workshops, but what stayed with me was her account of an invasion of the Conference by women from Rainbow Campers, a group of voluntary and involuntary exiles from the mainstream economic system who meet every summer for their only holiday at the free camp near Glastonbury. They were angry at this party of middle-class pseudo-spiritual pseudo-hippies taking over the town and excluding women like themselves from a spiritual binge that they’d love to be part of. Rose could see their point. But she knew, as they didn’t, that a good proportion of the women came to the Conference free by working their passage, that one of the reasons for the cost was that women who are often exploited could on this occasion be paid a reasonable rate for their skills, their wisdom and their art. Rose also knew that Kathy Jones, who had inspired the whole occasion, was in the process of treatment for breast cancer.

Her account of how the two groups faced each other across the Assembly Hall, listened to each other through fear and hostility and tears, and how at a crucial moment a shaft of light came in with the movement of sun and struck the statue of the Goddess so exquisitely that Rose cried out and drew everyone’s eye towards it, told me that the divine was alive and well and living, probably in lots of places, but certainly at the Goddess Conference. Elinor Gadon writes, in The Once & Future Goddess: ‘To come face to face with your own interior landscape and recognise it as the sacred territory of the Goddess confirms an inner spiritual presence that most Western women have been out of touch with for millennia... There is nothing supernatural about the process of discovery, merely reactivating the powers of the psyche that have lain dormant for so long.’ I now see these process of healing and re-seeing as just that: reactivating the goddess within me, which has lain dormant for so long… (FT)

At the [Goddess] Conference I learned about the ways in which [pagan seasonal] festivals have been celebrated in our north European corner of the world. There could be fires and candles, music and drumming and dancing, or quiet night watches under the stars. There would be reverence for the stirrings of new life at Imbolc, a celebration of the glory of spring and sexual fulfilment at Beltane (which remains with us as May Day), thanksgiving for the fullness of the grain at Lammas or Lughnasa, and a recognition of the closeness of the spirit world at Samhain. (Every year I’m distressed by the degradation of this deeply reverent celebration of past souls into the modern, tricksy-treaty, commercialised Hallowe’en.) I knew that early Friends had rejected ‘times and seasons’ on powerful theological grounds relevant to their time and mindset. But it seemed wonderful to me, three hundred and fifty years on and living in an urban, technological culture, to connect with the cycle of nature. It seems ever more wonderful the longer I do it.

At first it was strange to use the word ‘pagan’ for these insights and practices. Paganism has had a bad press for thousands of years, ever since monotheism discovered how to write its own story. In Europe, as the early adherents of the Christian religion struggled to establish Christianity as the dominant faith, they vilified all things pagan. This vilification lurks even today, with the term still sounding like an insult in some contexts.

The word ‘pagan’ actually comes from the same source as ‘peasant’, meaning ‘of the countryside’; it means rural, homespun, ordinary-people-based, rather than head-of-state-based as the monotheistic religions have been. Time and again, because they’re part of popular culture rather than part of the structure of dominance, pagan attitudes and imagery have almost been wiped out. Probably some aspects have been wiped out. But pagan ways have never wholly disappeared, and keep on re-appearing in the works of stonemasons and storytellers, artists and poets.

As I sporadically entered this world, an important lesson for me to learn was that the pagan Goddess doesn’t in any way replace the God of monotheistic religions. There are many thousands of Goddess stories and images. Almost every language and culture has them. In each culture, myths of the Goddess have been passed down from generation to generation in oral form, rather than in writing, so that they change and develop rather than becoming frozen as scriptural texts. Each and every name of the Goddess is a symbol of some aspect of the eternal female principle. The Goddess is not a single Being, set apart from the natural world and the everyday life of the planet. Quite the reverse. All the stories and songs and images of goddesses are facets of the whole, signposts to the inward and outward creative impulse which turns the earth on its axis and sustains it, body and soul.

Another vital lesson was that the divine female must unite with the divine male – the Goddess with the God. That’s the way growth comes. At Newgrange, a World Heritage site near Drogheda in Ireland, a huge earth mound protects a ceremonial stone passage shaped like the human birth canal, and that passage-way is penetrated by the sun for just seventeen minutes every year, at dawn on the Winter Solstice. During the ceremonies accompanying this and similar events at other ancient sites, our European ancestors celebrated the physical and metaphysical union of female with male which lies at the heart of all creation, and those celebrations are now being revived.

If it seems that, among those who are involved in this revival, the female side of the seesaw is pressing harder than the male, maybe that’s a necessary redressing of the balance after millennia of patriarchy so that in due course full and equal union can be restored. (PE)

(This is a compilation of extracts from Alison’s article in Feminist Theology (FT), September 2003,  www.sagepub.co.uk, and her chapter in Patterns and Examples (PE), ed Jarman and Tucker,  Sessions of York, 2005,
www.sessionsofyork.co.uk )

See also www.quaker.org.uk, www.goddess-pages.co.uk, www.goddessconference.com

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